Showing posts with label Impressionists. Show all posts
Showing posts with label Impressionists. Show all posts

Saturday, December 01, 2018

A Day in Montmartre


The Basilica du Sacre-Coeur de Montmartre
Aside from our mini-pilgrimage to the Catholic sites in Paris and its environs, the other "theme" of this holiday is probably getting a glimpse into the lives of the Impressionists.  Not so much their paintings (been there done that), but where they lived and worked.  Today, our visit to Montmartre covered both areas, starting with our visit to the Sacre Coeur and then, after lunch, around the Musée de Montmartre.

Montmartre is the "hill of martyrs", so named after the first Bishop of Paris, St Denis, who was decapitated here.  A most appropriate place to site this beautiful basilica!  The building itself is rather new - construction started in 1875 and was completed in 1914, a mere 39 years after!  It is truly a pilgrimage, having to walk up the hill to get to the basilica (and braving the touts along the way) but of course it was one we willingly made :-)  We were rewarded of course by a spectacular view over Paris.

We got here in time for morning mass (it is our routine now) and we celebrated the feast day of that most French of saints, Joan of Arc.  Maybe it is because we are visiting so many French Churches this visit, but I find they do love their French saints - St Joan, St Ursula, St Vincent de Paul, St Louis IX, St Therese of Lisieux etc - whose images appear in the stained glass windows and whose statues pop up in the various little shrines. Whilst mass was in French, the choir was a small group of nuns and their pure, sweet voices needed no translation to be appreciated.  They continued to sing even after mass had ended, which added to the atmosphere of faith and joy which I felt during my time here.

St Joan, as peasant girl
and warrior maid
After mass, we explored the huge church in greater depth. It was not my first time here (I think more like my third?) but it has been sufficiently long ago for memories of previous visits to have dimmed (although I do remember coming for Sunday mass here, the entire building packed despite its size).  We admired the humongous mosaic above the altar (apparently the largest in France), and wandered around the little chapels, many of which were dedicated to the French saints.  But there are two conspicuously non-French saints featured.  First, there is a chapel for St Ignatius of Loyola (also called the Chapel of the Jesuits, it was certainly funded by them), who apparently came with his companions to the nearby Church of St Pierre (of course there was no chapel in those days) and it was here that they started the "Society of Jesus", or the Jesuits.  Another chapel has a sign to commemorate the visit by St John Paul II to the basilica in 1980.

I did not know that the Basilica is the venue for perpetual adoration of the Eucharist, something which started way back on 1 August, 1885!  Pilgrims come here to spend the night in the guesthouses here and take their turn to pray before the Eucharist.  Maybe it is an idea for another time.

For more photos, look here.

Life is Art
We had lunch at a little bistro somewhere down the hill. Due to our unfamiliarity with the area, we did not realise that we would have to make our way back again to get to the Musée de Montmartre, where we intended to spend the afternoon!  Ah well, the exercise was probably good for us.  It was also quite pleasant to wander around the narrow, steep streets of the area.  Montmartre formed no part of Baron Haussmann's plans for Paris and so it has no gracious boulevards or majestic squares.  It is full of staircases, twists, and turns, with a little bit of graffiti in the corners.  And when you turn around the corner there is indeed a little square, but full of shops and street artists plying their trade.  And all of a sudden, you feel that you have indeed walked back into a picture which Renoir could have painted, of people just enjoying the sunshine and each other's company.
12 Rue Cortot

The Musee de Montmartre is described as the "most charming museum in Paris" and indeed it is full of atmosphere.  We could almost see Renoir sketching in the garden, with Toulouse-Lautrec wandering in for a visit before going off to one of the nearby caberets (maybe the Caberet du Lapin Agile, or "Agile Rabbit", or the Theatre du Chat Noir, or the "Black Cat", or the Cabaret du Moulin Rouge, named after one of the windmills, many of which were once found here ).  Above the gardens, Suzanne Valadon would sit in her studio painting away at her easel.

Suzanne Valadon's atelier-apartment
The visit starts off with a short video on the history of Montmartre, before leading us through the gardens and to 12, Rue Cortot, where some artists (including Renoir) had their studio.  It is here that the collections of the museum can be found, with paintings of Montmartre over the years, and also featuring works by Toulouse-Lautrec, Suzanne Valadon, her son Maurice Utrillo and others.   We ended up with a visit to Suzanne's studio apartment right on top of the building.  Of course I am an utter dunce when it comes to art and aside from the big names (Monet, Renoir) I tend not to be so familiar with the others, including Suzanne.  But she had an interesting life - starting off as a model/muse for Renoir, Toulouse-Lautrec and Degas, and then going on to be an artist in her own right.  She was completely self-taught, except for what she picked up by observing and talking to the artists she was modelling for.  Got to respect a woman like that.

It was indeed a day of contrasts, from the sacred to the secular, from the serene beauty of the Basilica to the more tumultuous, vibrant life of the Bohemians.  But together, both Sacre Coeur and the Musee de Montmartre bring together and tell the story of this little corner of Paris.



Saturday, March 10, 2018

Colours of Impressionism - National Gallery Special Exhibition

Palace of the Popes, by Paul Signac
The National Gallery held a special exhibition, Century of Light from 16 Nov 2017 to 11 March 2018.  It was actually features two exhibitions, Colours of Impressionism: Masterpieces from the Musée d'Orsay and Between Worlds: Raden Saleh and Juan Luna, who hail from Indonesia and Philippines respectively.

Impressionism is one of my favourite periods in art - the use of light, the freshness and the spontaneity of the paintings are what appeals to me most.  So I was indeed very happy to view the beautiful artworks from the Musee d'Orsay which had been specially brought over to Singapore, by artists such as Cezanne, Renoir, Manet, Pissaro, Monet and so on.

As always, it was a fascinating learning journey.  I did not know that actually Impressionism was not just a new approach towards art, but that it was also made possible through newly invented pigments and colours which made it possible to capture the colours of the world so much more vividly than before.  That's why as time went by, the artist's palette itself changed, from more dark colours (and black) to the bright, fresh greens and blues, rosy pinks and glowing yellow which we see in so many paintings of the era.  To further illustrate the point, the exhibition also featured a palette of one of the Impressionist painters (I think it was Renoir) with the little blobs of paint still on it.

I didn't take that many photos (there are so many good photos of the paintings on line, and in any case the photo is a pale shade of the actual artwork).  What I did do was to record paintings which had a special meaning for me.  For example, this painting by Paul Signac, because it is of the Palais des Papes at Avignon, which I had visited a few years back.  I had not really heard of Signac before but he was a painter of the Pointilism school (made famous by Georges Seurat) where each painting is composed of carefully placed dots, or points!  Indeed, the whole is more than the sum of its parts.  Just like the painting is so much nicer than any of the photos I took of the Palace.

Family of J.C. Baud by Raden Saleh
Whilst the d'Orsay paintings showcased the famous artists of the day, what I really appreciated about the National Gallery is that they also try to remind us visitors that we should be proud of our own painters from this part of the world.  Hence, the second exhibition on the works of two South East Asian painters who had in their own different ways also achieved international standing.

Detail from "House of the Resident of Banyuwangi, East Java"
by Antoine Auguste Joseph Payen
The first was Indonesian painter Raden Saleh. Born in 1811, Raden's talent was first nurtured by Belgian painter Antoine Auguste Joseph Renoir who was working for the Dutch colonial administration.  Thereafter, Raden went to Europe to further his training.  He painted quite a few portraits, including this charming family scene (J C Baud was a friend and mentor), but also was well known for his paintings of tigers and other wild animals (there was quite a disturbing painting of a tiger just waiting to pounce on two innocent travellers, and yet another one of a hunting scene with the poor tiger as the victim).  He returned to Indonesia in his later years. 

Besides paintings by Raden Saleh, this segment of the exhibition also featured some paintings by his teacher, Antoine Payen.  I find it amusing that this picture of an Indonesian scene was done by a European whilst the picture of the European family was done by an Indonesian!  I suppose however both were done through a European lens.

La Mestiza, by Juan Luna
The other artist featured, Juan Luna was a Filipino painter and activist.  He too would travel to Europe to study painting and in fact, ended up winning an award at a Spanish art exposition, the National Demonstration of Fine Arts, for his painting, "The Death of Cleopatra".  However, tragedy struck in later life when he murdered his wife and mother-in-law in a fit of jealousy.  He was arrested but eventually was acquitted of murder on grounds of temporary insanity.  

All in all, it was an engrossing weekday afternoon, spent "Between Two Worlds" of European and South East Asian painters and subjects.  For a much better review, read the Straits Times article here.  More of my photos of the paintings here.

Starting the Day Right...

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